Colored Pencils at LBCC Fall 2022

Explore the vibrant world of colored pencils in this class for all levels of artistic skill. Learn about techniques for blending colors, using solvents, and creating compositions based on references.

Practice skills that you can use to create landscapes, portraits, still life and more in this versatile medium, plus get practice in drawing skills with graphite pencil. Each week, live demonstrations will cover drawing exercises to warm up with, and then studio practice with real-time guidance and feedback.

No previous drawing experience necessary, this basics class will give you the starting ground to take off with your imagination..

See the class syllabus here

Class schedule:

September 27 – December 6
Tuesdays, 11:00 am – 12:20 pm
Virtual on Zoom (join from anywhere!)

Register at Linn-Benton Community College

Materials

Suggested supplies:   If you do not have some of these supplies at home, and it is difficult to get them you can get by with the materials you do have.

  • Wax-based (recommended) colored pencils (instructor will primarily use Prismacolor and Faber-Castell; Crayola/ Rose Art, other brands are welcome)
  • Colors: Prismacolor Premier 24 set 3597T plus, Cream (PC914), Cool Grey (PC1061), French Grey (PC1074)
  • Water-soluble colored pencils, any brand (instructor will use Crayola watercolor pencils, Derwent Graphitint, and Derwent Inktense)
  • Pencil sharpener
  • Tortillons
  • Drawing pencil (any of 2B, 4H, 6H)
  • Kneaded eraser
  • Mineral spirits (Gamsol)
  • Small watercolor brush
  • X-Acto Knife
  • Inexpensive watercolor paper pad (9×12 or 11 x 14) (such as Strathmore or Canson)
  • Black and/or toned paper
  • Optional: tissue, cotton swab, paper towel (can substitute for tortillon)
  • Optional: Carbon transfer paper and tracing paper

Drawing Practice: Linework Exercise

This is my go-to drawing practice when I’m wanting to improve my linework skills, warm up before working on a project, or want to get back into drawing after a break. This practice helps develop control and consistency by focusing on drawing circles and lines in patterns.

I picked up this exercise when I was looking for ways to improve my drawing skills after being frustrated that I hadn’t improved after drawing for a while. One thing I noticed about my illustrations was that my lines didn’t flow the way I wanted them too. I was also discouraged because I didn’t know what to draw and was getting tired of looking for a subject to study without feeling inspired.

This practice helped by giving me something to draw without the expectations that it would have to look like a specific subject, while also allowing me to practice building my linework skills.

I usually recommend this exercise to all my students when they’re wanting to improve their drawing skills. I like to think of this as a stretch or gentle job before a big run, it’s something to warm up the hand and mind without the pressure of full-performance. One of the ways I notice myself and others struggle with drawing and illustration is when we expect to have a finished “perfect” drawing immediately. When something doesn’t look like what we’re expecting to see, that discouragement can make us put down the pencils and not want to pick them up again.

This exercise creates a respite from that expectation, so we can be present with the practice and appreciate what we can do rather than what we struggle to achieve.

This isn’t a magic exercise, though. To become skilled at drawing and illustration, you’ll still need to practice drawing different subjects from references and your imagination. This exercise is a way to prepare for that work.